Click below to access all the Broadway grosses from all the shows for the week ending 9/29/2024 in BroadwayWorld’s grosses section.

Also, you will find information on each show’s historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.

Of note this week: THE HILLS OF CALIFORNIA opened at the Broadhurst on 9/29. For the week ending September 29, 2024, THE HILLS OF CALIFORNIA grossed $390,469.50 at the Broadhurst Theatre over six press previews and an invited guest opening night performance. MCNEAL is in previews at the Beaumont and opens on 9/30. YELLOW FACE is in previews at the Haimes and opens on 10/1. OUR TOWN is in previews at the Barrymore and opens on 10/10. BLVD. began previews at the St. James and opens on 10/20. LEFT ON TENTH began previews at the Jones and opens on 10/23. ROMEO + JULIET began previews at Circle in the Square and opens on 10/24.  HARRY POTTER AND THE CURSED CHILD had six performances with 1,622 seats and two performances with 1,278 seats this week, for a total capacity of 12,288. As this report cannot accommodate both capacities, the figure 1,536 was used. HELL’S KITCHEN cancelled two performances (Weds. 9/25 mat. and eve.). THE ROOMMATE cancelled three performances (Sat. 9/28 mat. and eve., Sun. 9/29 mat.)            

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Up for the week by attendance (% of capacity) was: THE HILLS OF CALIFORNIA (12.4%), WICKED (7.3%), WATER FOR ELEPHANTS (5.6%), & JULIET (5.4%), THE ROOMMATE (4.7%), HELL’S KITCHEN (4.3%), THE BOOK OF MORMON (3.9%), BACK TO THE FUTURE: THE MUSICAL (3.7%), CHICAGO (3%), SUFFS (3%), THE NOTEBOOK (2.9%), THE GREAT GATSBY (2.9%), ALADDIN (2.3%), SIX (2.3%), CABARET AT THE KIT KAT CLUB (1.6%), THE OUTSIDERS (1.3%), HADESTOWN (1.3%), MOULIN ROUGE! THE MUSICAL (1%), HARRY POTTER AND THE CURSED CHILD (0.6%), STEREOPHONIC (0.3%), THE LION KING (0.3%),

Down for the week by attendance (% of capacity) was: OUR TOWN (-5.7%), ONCE UPON A MATTRESS (-3.1%), YELLOW FACE (-2.2%), MJ THE MUSICAL (-1.8%), JOB (-1.5%), HAMILTON (-0.3%),

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This week, 32 shows played on Broadway, with 234,963 tickets sold and a total gross of $26,449,033. The average ticket price was $112.57.

This was up the number of shows as last week. Compared to last week, attendance was up 3.84%. On the sales front, overall grosses were up 4.55% vs. last week. This week’s average ticket price of $112.57 is up $0.77 compared to last week.

Top 5 by This Week Gross
WICKED: $1,784,758
THE LION KING: $1,663,908
HAMILTON: $1,570,538
THE OUTSIDERS: $1,337,388
MJ THE MUSICAL: $1,170,578

Bottom 5 by This Week Gross
JOB ($274,526), YELLOW FACE ($313,112), THE ROOMMATE ($352,795), THE HILLS OF CALIFORNIA ($390,470), THE NOTEBOOK ($530,282)

Top 5 by This Week Gross vs. Last Week Gross
WICKED: $147,862
WATER FOR ELEPHANTS: $69,504
YELLOW FACE: $56,582
THE BOOK OF MORMON: $56,492
BACK TO THE FUTURE: THE MUSICAL: $51,505

Bottom 5 by This Week Gross vs. Last Week Gross
THE ROOMMATE ($-176,143), THE HILLS OF CALIFORNIA ($-145,058), HELL’S KITCHEN ($-136,673), MCNEAL ($-56,018), THE LION KING ($-49,421)

Top 5 by Average Ticket Price
HAMILTON: $163.79
OH, MARY!: $162.56
THE OUTSIDERS: $160.09
MCNEAL: $150.22
STEREOPHONIC: $137.72

Bottom 5 by Average Ticket Price
THE HILLS OF CALIFORNIA ($54.25), YELLOW FACE ($60.48), BACK TO THE FUTURE: THE MUSICAL ($78.68), ALADDIN ($79.44), JOB ($82.54)

Top 5 by % of Total Seats Filled
THE OUTSIDERS: 102%
OH, MARY!: 100%
MCNEAL: 100%
STEREOPHONIC: 99.1%
HELL’S KITCHEN: 98.3%

Bottom 5 % of Total Seats Filled
WATER FOR ELEPHANTS (62.5%), BACK TO THE FUTURE: THE MUSICAL (65%), CHICAGO (71.4%), JOB (71.6%), & JULIET (77.5%)

Top 5 by Total Attendance This Week vs. Last Week
WICKED: 1044
WATER FOR ELEPHANTS: 618
YELLOW FACE: 610
& JULIET: 447
BACK TO THE FUTURE: THE MUSICAL: 438

Bottom 5 by Total Attendance This Week vs. Last Week
HELL’S KITCHEN (-2364), THE ROOMMATE (-1783), ONCE UPON A MATTRESS (-241), MJ THE MUSICAL (-202), HARRY POTTER AND THE CURSED CHILD (-200)

That’s all for this week… Note: All data presented for informational purposes only. BroadwayWorld makes no guarantee as to the accuracy of the data, or the matter in which it’s presented. Source: The Broadway League..

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